5 September 2026

Weighed in the Water

Stormy Weather.....



Wells, Wells, Wells.......  It actually isn't too wet.  Here, at Wells-next-the-sea, North Norfolk, I am about to sail away.....  courtesy of Coastal Exploration Co.  

This isn't masochism....  I booked two different days out when we were suffering from the mediterranean delights of sunshine and heat.....  So I imagined that both these days on the water would be warm and easy....

So, last Sunday, on the twenty foot lug-rigged crab boat 'My Girls' built in Sheringham in 1965, Penny and I entrust ourselves to skipper Nick and set sail at dawn from the port of Wells....



It is a shining morning.  August has gone, and this is, to my dismay, September.  Cloudy.  Cool.  




A gleam across the salt marshes means that the day is waking up, but little stirs.....




It is quiet.  The tide is hurrying in, but no one else is up and about. Except for the young swallows, getting ready for their amazing migration to Africa. Here they are swooping and feeding on the early flies above the waters, and resting on a silent, empty boat.....





I think, uncertainly, that this is what I love.  I love to see the natural world at ease with itself.  I love to observe birds and animals showing us, unselfconsciously, how they live.  The scissoring flight (pace Ted Hughes) is spell binding:

The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.

Work and Play
Ted Hughes




Anyway.  This is not everything.  We sail out through the salt marshes,.  The light is low, and I haven't brought my big camera with the 500 mm lens, so we listen and watch and let be.  Sandpipers, oystercatchers, egrets, marsh harriers, redshanks, curlews and even whimbrel chatter and spin about, quick and fleeting across the dark levels of the marsh lands.  Sea blight, sea purslane, asters and lavenders, merge with samphire and wormwood, rooted in the thick mud banks.  The channels are scoured by the tides, but they are shallow, and we have to hug the outside of curves to stay afloat.....

On this, my second outing, we are in a 16 foot lug rigged mussel flat, built in about 1960.  




It is easy in the creeks and shallows, and we sail gently with the wind:



Ahead of us, almost a John Craske picture, My Girls tacks toward Blakeney Point to see the seals.....




And, despite our lack of keel and shallow draught, we attempt to catch up.....  To see the curious seals.....




And then, shore enuff, there they are, beached [Like Whales?  Ed] 




Stretched, virtually limbless, they are monstrous as they roll on the beach, but in the water they are peerless, able to disappear for long minutes, but bobbing up to question our place in the order of things:




Our sister ship has anchored, with the sail down, as they photograph the scene.  




We eye the weather, clouds gathering:




Battleship grey on the horizon:



Heavy clouds weighing down across the salt marshes.  I feel compressed, weighted down, the thick grey mass of wet sackcloth hanging above my head.....




There's a ragged clown out there, with heavy blue rain triggering feelings for the fishermen who daily wrestle with the elements to bring oily protein to our tables.....




And, even when the sky lightens, it is still a relief to be cruising home:




We shelter in a muddy inlet in the salt marsh to restore ourselves on Baron Bigod and whelks, soup and pork pie.....




And then it is time to slip back to our moorings in Wells.....




Where industrial shadows still hang over us, and some things somehow don't seem quite right:




But the crowds still love their crabbing:




It has been an adventure, and I am grateful to Nick and Alfie and all at Coastal Exploration Co. who made this possible. But also thanks to my companions on these brief explorations of the North Norfolk Coast.  It is an inspiring world, so different from that we see from the land, so quiet and so natural.  


And love to the seals......

I am watching you.....


Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

Dover Beach
Matthew Arnold





29 August 2026

Goodbye, Dolly.....

Down with the Blue Sheep (Blaue Schafe)


Alle sind gleich - jeder ist wichtig
[Everyone is equal - everyone is important]

There are so many things to see in this world, but where do we start? And where do we finish? As Dolly Parton smiles goodbye, I am cruising on the River Main, in Germany, and, while the world is filled with clichés and tears, I also feel bereft.....

She would have loved these sheep, and their message..... Someone from Locust Ridge in the Great Smoky Mountains would have known full well what it was like to be one of twelve children in a cabin in the woods, and how each individual had a value, whatever their strengths or weaknesses. 


Then, overhead, there sails a Steinadler, (Golden Eagle), the broad-winged apotheosis of Germany, ragged and careworn, and (probably) lacking in state support.....



Gentle as the sweet magnolia

Strong as steel, her faith and pride
She's an everlasting shoulder
She's the leaning post of life
She hurts deep and when she weeps
She's just as fragile as a child
And she's a sparrow when she's broken
But she's an eagle when she flies

Eagle When She Flies
Dolly Parton


Let us face it. The world is not always as we would wish it.  There are differences of opinion:


Communist youth, forward!  Fight fascism


There are myths and misunderstandings:




There are plenty of legends and appropriated stories, sometimes appropriated to fit someone else's narrative:


St George/Heiliger Georg


And there are baroque ceilings to crane your neck to which may or may not make sense.....



Of course there are treats like organ lofts in cathedrals:




And pastel shades in alleyways:



And palaces that go on for ever:

The Würzburg Residenz

With ceilings in vast stairwells:

The world's largest continuous ceiling fresco, in the Würzburg Residenz,
painted by Giovanni Battista Tiepolo between 1752 and 1753
 
And chandeliers in ballrooms:




To crane your neck to:




And windows that frame your view:




Or which concentrate your vision:



Or which tease your imagination:


I am on a River Cruise through (a largely reconstructed) medieval Germany..... For a while I thought I was going on the Rhine (again) and, with news of drought and record lows on both the Rhine and the Danube, I expected to be cancelled (as most, if not all, river cruises on those rivers in August were this summer), but, I was mainly (?) on the Main and as luck would have it, the Main was not affected.....




The River Main is a 525-kilometre-long (326 mile) waterway entirely in Germany and the longest tributary of the Rhine. It has two sources: the White Main (Weißer Main) which rises in the Fichtel Mountains in northeastern Bavaria and the Red Main (Roter Main) which rises on the eastern slope of the Franconian Jura (Fränkische Alb). Apparently the rainfall (and perhaps snow melt) up there has been sufficient this year to keep the water levels up, but the river is also controlled by a series of locks (with recycling systems which preserve 60% of the water).....  On this cruise we actually touched four 'rivers' - the Danube, the Danube/Main Canal for over 100 kms, the River Main for 384 kms and then finally the Rhine where we disembarked; in total we  covered 590 kms and went through 52 locks:



Our itinerary started in Regensberg, then near Kelheim we visit Weltenberg Abbey, the oldest monastery in Bavaria, where we drink a delicious (well I thought it was) black beer (Weltenburger Kloster Barock Dunkel) brewed in the Weltenburger Klosterbrauerei, the oldest monastic brewery in the world......


The Abbey sits just by a dramatic limestone gorge through which the Danube squeezes:


The next stop is Bamberg, where some years ago I lost my hat in a rainstorm. I search for it in vain, then seek solace in a glass of Rauchbier (smoked beer), another enjoyable example of why it is always stimulating to travel....

 
Then we stop in Nuremberg, infamous for Hitler's rallies and then later for the trials:




Here I visit Albrecht Dürer, the inventor of the logo:



Whose medieval house (he lived here from 1509 until his death twenty years later) was slightly damaged by aggressive aerial behaviour in October 1944:




Though it has since been patched up and was reopened in 1971 to celebrate the artist's 500th birthday:




I am shown round by Agnes, Albrecht's wife, and feel quite at home. She tells me that her husband was the greatest Northern European renaissance artist, that he revolutionised printmaking and that he was also a formidable entrepreneur and a polymath to rival Leonardo.






Dürer undertook three long journeys to Italy and the Netherlands, and became famous in his lifetime throughout Europe. He produced between 4,000 and 5,000 prints of his 1515 woodcut of a Rhinoceros (an animal he never saw), which was a veritable money-spinner (a rare surviving example of it was sold at Christie's New York in 2013 for $866,500).....


We cruise on. It is tranquil on the water, the banks green, though the surrounding fields and woods show the dry browns of thirst.  We pass agricultural villages, sleepy places where people fish, or nurse their babies, waving to the passing foreigners:




We pass industrial towns, where barges quietly disgorge or pick up bulk cargoes:




We glimpse onion-domed churches and dominant monasteries:




Then, as evening falls, 




The river seems to fall asleep:




Then a new day breaks, and the river gently stretches and steams under the banks:




Part of the fun of travelling is people-watching.  Observing customs and costumes:



Würzburg is the centre of the Franconian wine country, and it is traditional to drink white wine (preferably Sylvaner) on the Old Bridge:


Though some may prefer spritzers:



Or just smiling:




Or perhaps not:




This voyage is nearing its end, but we stop briefly in Wertheim, at the confluence of the Tauber and the Main, and I climb to the top of the ruined castle for the fine views:





Then we moor at Aschaffenburg, an uninspiring town with a massive fortress (but an excellent Bierkeller) before completing the itinerary at Mainz, one time home of Johannes Gutenberg, who, in the mid fifteenth century, made a breakthrough that puts all subsequent Information Technology into the shade.....



Though Gutenberg was by no means the first printer in the world, he revolutionised printing by inventing movable metal type and by developing oil-based inks. He also benefited from the local wine trade employing an existing wine press to stamp the images of his reversed letters onto parchment or paper. His printed bible - the first of its kind - could be reproduced 180 times in the space of time that it took to create one in manuscript....




And so with that touch of religion, the news breaks that Dolly Parton has passed away.  


From here to the moon and back
Who else in this world will love you like that?
Forever and always, I'll be where you're at
From here to the moon and back
From here to the moon and back

I'd blow you a kiss as I wish on a star
Counting my blessings for all that you are
Thank heaven for you and to God, tip my hat
From here to the moon and back
And I'll spend forever just proving that fact
From here to the moon and back, 
Who will love you like that, 
From here to the moon and back

From Here to the Moon and Back
Dolly Parton

Juliusspital, Würzburg

Oh All this blue it ain't sky and sea
Some of that blue's gonna fall on me
Oh, the future's looking bright
There's a better day!
Look away, look away

Better Day
Dolly Parton

*******

With many thanks to Jorge and Zara of Riviera Travel, Captain Balint, and particularly Vladimir and Okan




But, whatever  the relevance, this is especially for Dolly:

Look around and see what's going on
Everything just seems to be so wrong
If we'd just open up our eyes
We could see a better life
I still believe.
There's a place for all of us
If we'd reach out
And touch the love
Nothing's gonna ever change it much
...if we don't

If I don't, if you don't,
If we don't, if I don't.
If you won't, if we don't.

If We Don't
Dolly Parton/Linda Perry